If you want to produce for the new school, you don’t just need this kit. You need to study it.
The pack includes 15 808s and sub sounds with a "futuristic spin". The names of the patches reflect the trap culture, featuring titles like "BussDown," "Casino," "Flooded," and "Souf".
Experiment with Hi-Hat Pitching and PanningDo not leave your hi-hats static in the center of the mix. Use your DAW’s piano roll to pitch individual hi-hat notes down an octave during transitions, or use auto-panning effects to make the hats dance across the stereo field. This keeps the listener engaged throughout the track. richie souf drum kit
To achieve the rapid-fire rolls heard in Atlanta trap, you need hi-hat samples with a very short decay. The hi-hats in this kit lack muddy mid-range frequencies, allowing you to pitch them up or down without losing clarity. 4. Hard-Hitting Kicks
His most significant and authentic collaborations are with for their SubLab and SubLab XL plugins. These are not just sample packs; they are curated collections of bass patches designed specifically for these powerful instruments. If you want to produce for the new
These kits feature heavily distorted 808s. The kick drum is often quiet, leaving room for the 808 to be the primary low-end driver. The hi-hats are frantic—often exceeding 200 BPM in feel, even if the project is set to 140-160 BPM. If you are making beats for Ken Carson's X or Destroy Lonely's NS+ , look for kits labeled "Opium" or "Rage."
In standard trap, hats hit on every 16th note. In a Richie Souf beat, you will write hats in groups of three (triplets) or use rapid-fire 32nd notes at the end of a bar. The names of the patches reflect the trap
Richie Souf is a cornerstone of the modern "Atlanta Sound," known for his work with superstars like Young Thug
: The SubLab expansion packs typically come as .subpack files, which are easily imported directly into the SubLab preset browser.