“Kvetinas Sergei Naomi” is deliberately ambiguous about whose voice dominates at any given moment. The visual, auditory, and performative layers constantly shift prominence, ensuring that the work resists a single‑author narrative. This polyvocal approach mirrors contemporary discourses on de‑centering the “master narrative” in post‑colonial studies. Moreover, the collaboration itself becomes a meta‑commentary : three artists from distinct cultural milieus negotiating a common language while preserving the particularities of their own idioms.
The name "3 Kvetinas" translates from various Slavic languages to "three flowers," a botanical motif that anchors much of their shared work. This collaborative journey began in 2020 during a joint exhibition where the two creators sought to symbolize the interconnectedness of life through floral narratives. A Multidisciplinary Journey
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The work emerged at a moment when Eastern Europe, Russia, and the broader Asia‑Pacific region were negotiating heightened political tensions and accelerated migratory flows. In Lithuania, the post‑COVID‑19 cultural sector was actively seeking projects that could serve as diplomatic bridges. The biennial’s curatorial statement— “Transcending Borders: Art as a Negotiated Space” —explicitly called for works that would foreground the lived reality of cross‑border entanglements. “Kvetinas Sergei Naomi” therefore operates not only as an artistic gesture but also as a cultural intervention, offering a contemplative counter‑narrative to the prevailing discourses of securitization.
The reclaimed materials (weathered timber, rusted steel) function as palimpsests of histories that have been erased, repurposed, or suppressed. By re‑contextualizing these artifacts within an aesthetic of renewal, the artists comment on the possibility of reconstructing memory from debris. The soundscape’s field recordings—snippets of daily life in different locales—act as auditory fossils, preserved and reassembled. Naomi’s choreography, especially the “folding” gesture, symbolizes the act of re‑folding these fragmented memories into a new narrative. the aesthetic behind Kvetinas
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One possible explanation is that these names are connected through a family or social network. Perhaps Kvetinas, Sergei, and Naomi are individuals who have interacted with each other, either online or offline, and their names have been linked together through a shared experience or project.
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This article explores the artistic profile of the Sergei and Naomi duo, the aesthetic behind Kvetinas, and why their collaboration continues to draw attention. 1. The Aesthetic of Kvetinas: Sergei and Naomi