Taboo I-ii-iii-iv -1979-1985- !!exclusive!! Site

The third installment of the series, Taboo III, takes a different approach, focusing on a group of people living in a communal setting. The film explores themes of group marriage, swinging, and alternative lifestyles. The story follows a young couple (played by Jonah Royston and Brigitte McKenney) who join a communal group, only to discover that their seemingly utopian society is built on a foundation of deceit, manipulation, and exploitation. As the couple navigates this complex web of relationships, they must confront the darker aspects of human nature and the true costs of their desires.

The series (spanning parts I through IV, released between 1979 and 1985) is widely regarded as a watershed moment in adult cinema history . Directed by Stephen H. Sayadian (under the pseudonym Kirdy Stevens), the series transitioned the genre from the "Golden Age" of the 70s into a more stylized, psychological, and high-production era.

The third installment, released in 1984, explores the theme of fetishism and bondage. The film features a narrative that intertwines elements of BDSM (bondage, discipline, sadism, and masochism) with themes of power dynamics and control. Taboo III showcased the series' ability to adapt and evolve, tackling different aspects of human sexuality.

Watching these films today is like stepping into a time capsule. The 1980s aesthetic is on full display, from the hair and fashions to the production values. The music in the series—from the to the licensed tracks—is a major attraction, with critics noting the awkward yet memorable lyrical soundtracks and cheesy, synthesized scores that are now beloved for their period charm.

It sounds like you're looking for a retrospective or "look back" post on the classic Taboo I-II-III-IV -1979-1985-

Released in 1982, "Taboo III" marked a significant shift in the series, as it began to incorporate more explicit content and experimental storytelling. The film's themes expanded to include topics such as fetishism and group sex, pushing the boundaries of what was considered acceptable in adult entertainment. This installment was notable for its use of more graphic and realistic depictions of sex, which became a hallmark of the series.

As the mid-1980s approached, the adult industry was shifting entirely from expensive film stock to cheaper videotape. Taboo IV stood as a bridge between eras.

The series played with the ultimate forbidden fruit. In an era before the internet made every fetish available in seconds, Taboo offered a narrative thrill. You weren't just watching sex; you were watching a story about breaking the ultimate rule.

Because this series is widely considered a landmark of the "Golden Age of Porn" for its high production values and narrative-driven plots, I’ve drafted a few options for you—one that’s more of a film history review and one that’s a shorter, social-media-style "flashback." Option 1: The Film History Review (Best for Blogs/Forums) The third installment of the series, Taboo III,

, the film became an immediate sensation. Parker’s performance was praised for its emotional gravity, bringing a level of acting rarely seen in the genre. Cultural Footnote

The sequel doubled down on production values, incorporating complex multi-character subplots, lavish set designs, and a massive, choreographed theatrical orgy sequence. Taboo II is widely considered by historians to be a rare sequel that surpassed the original in terms of narrative structure and pacing. Taboo III: The Final Chapter (1984)

The core golden era of the franchise is defined by its first four installments:

The story shifts focus away from Paul to Sherry (Dorothy LeMay) and her family, the McBrides. Sherry’s brother, Junior (Kevin James), becomes fascinated by his mother, Joyce (Honey Wilder), and his sister. The film expertly juggles multiple incestuous relationships: brother-sister, mother-son, and father-daughter. One reviewer humorously noted the sequel’s shift in tone, describing it as “slapstick” rather than dramatic, writing that it was “determined to screw their brains out with one another”. As the couple navigates this complex web of

During this timeframe, the industry moved toward higher production values and more complex narrative structures compared to previous decades. Filmmakers often attempted to blend traditional cinematic storytelling with adult content, utilizing professional lighting, synchronization of sound, and scripted dramas.

Actresses like Kay Parker and later Honey Wilder became synonymous with the franchise, representing a shift towards recognizable performers in adult cinema.

Taboo I-II-III-IV -1979-1985-: Breaking Barriers in the Golden Age of Adult Cinema

: Barbara Scott (Kay Parker) is living alone with her younger son, who is distant and focused entirely on his rock band. Seeking connection, Barbara strikes up a deep friendship with Joyce McBride.