is where we see the mechanics. It is in these raw clips that you realize Michael Jackson wasn’t just a performer; he was a world-class architect of entertainment.
In the years since its release, 'This Is It' has become a cultural touchstone, with references to the documentary film appearing in music, film, and television. The movie's influence can be seen in the work of artists such as Beyoncé, Kanye West, and Bruno Mars, who have all cited Jackson as an inspiration.
Finally, the extras invite reflection on ethical questions surrounding posthumous releases. While fans and many collaborators welcomed any material that celebrated Jackson’s work, others questioned whether additional footage should have been released at all—arguing it commodified grief or risked exploiting private rehearsal moments. Extras 1 occupies a middle ground: it can be read as both tribute and artifact, a resource for historians and enthusiasts while also raising concerns about consent and curation after death. How producers edit, package, and promote such material inevitably shapes memory and legacy.
The Blu-ray version includes approximately 30-40 minutes of additional footage not found on the standard DVD:
The "Michael Jackson's This Is It 2009 Extras 1" material offers a deeper understanding of the effort, passion, and creativity that went into what would have been Michael Jackson’s final tour. It allows fans to appreciate the meticulous attention to detail and the collaborative spirit that defined the project, confirming his status as an unparalleled performer. michael jacksons this is it 2009 extras 1
Michael stops the band mid-chord. The music is too fast. He doesn't yell; he whispers. "No... it’s dragging... but it’s rushing? We need the lilt ." He then scats the rhythm to pianist Michael Bearden, conducting the silence between the notes. Watching "Extras 1," you realize Jackson wasn't just singing the song; he was sculpting the air. He apologizes to the crew—"God bless you, forgive me"—before running the segment six more times. It is a portrait of kindness under pressure.
These aren't just deleted scenes. They are a raw, unvarnished masterclass.
This segment details the logistical nightmare and creative triumph of building a set capable of housing Jackson’s imagination. Visual planners and set designers break down how they integrated massive LED screens—the largest ever used for a live concert tour at the time—with physical props. Viewers see raw footage of Jackson testing the lighting grids, demanding that the cues hit "on the organic beat, not the mechanical one." 2. The Auditions: Searching for the World's Best Dancers
Extras show him collaborating closely with director Kenny Ortega, meticulously reviewing footage, and fine-tuning lighting cues. is where we see the mechanics
: A focused look at the elaborate costumes designed by Zaldy. It showcases pieces like the new "Billie Jean" suit embedded with strobe lights and an updated "Thriller" jacket.
: A clip of Michael rehearsing the song roughly two weeks before his passing. Final Message
Interviews with producer Randy Phillips and director Kenny Ortega. Footage of the famous "This Is It" press conference. Insights into the massive fan response and ticket sales. The Gloved One (Costume Featurette)
Explore the Michael Bearden discusses in the interviews. Share public link The movie's influence can be seen in the
: Collaborators and close friends share personal reflections on working with Jackson during his final months. Auditions (Searching for the World’s Best Dancers)
The costumes were designed to be both visually stunning and functional, allowing for maximum movement and comfort during high-energy performances.
Perhaps the most sought-after clip in is the Dance Rehearsal for "Smooth Criminal." Here, the audio track is removed. There is no singing. There is no band. There is only the squeak of loafers on a polished stage and the metronome.
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