In Session was produced on a budget of only $5,000 and had a theatrical release date of June 20, 2021. The production company is listed as Omnipresence, and the original language is English. Because this appears to be an extremely low‑budget independent film, it has little online presence. No major reviews, detailed cast lists, or director credits are readily available in standard databases.
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mentions meeting a woman named Yvonne "am See" (at the lake) in Altremda during a horse-drawn carriage journey
. Instead, it seems to be a common German descriptive title used for photography, local events, or personal social media stories. yvonne am see 2021
The most likely interpretation is that the user intended to find information about a 2021 short film simply titled Am See —German for “At the Lake.” This film was produced in Germany, with shooting taking place over four days from August 28 to August 31, 2020, and the final work was released as a 10‑minute drama in 2021.
Is this about an artist, a writer, a specific vacation spot, or a local news story?
As of late 2024, Am See has announced a new project, Motherboard , which promises to revisit the themes of 2021 through sculpture—actual disassembled computer hardware combined with cast domestic objects. It remains to be seen whether she can escape the gravitational pull of her breakthrough year. But perhaps that is the wrong question. For an artist whose central insight is that damage is not the opposite of meaning but its condition, the attempt to repeat, fail, and revise may be the most faithful response. In Session was produced on a budget of
Subtly replaces heavy-handed exposition with organic visual metaphors.
Is this a reference to a located by a specific lake? Share public link
To appreciate the rupture of 2021, one must first understand Am See’s earlier vocabulary. Between 2016 and 2019, her mixed-media canvases were dominated by the aesthetics of screen fatigue: glitched JPEGs, pixelated crowd scenes, and the cold geometry of subway maps. Works like Signal Lost (2018) depicted faceless commuters dissolving into grids of error codes. Critics rightly praised her ability to capture what curator Helena Zhou called “the loneliness of seamless connectivity.” Yet by 2020, Am See herself expressed dissatisfaction. In a rare interview with ArtAsia (December 2020), she noted: “I realized I was only describing the walls of the prison. I hadn’t yet asked who built them, or why I felt so at home inside.” No major reviews, detailed cast lists, or director
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Yvonne Lindner was born on January 18, 1983, and played as an offensive midfielder. Her last club was , where she was active until she ended her career in 2020. Her transfer history shows moves between SC Neusiedl am See, FSG Eggendorf, Wiener Sportklub, and other Austrian women’s football teams.
The 2021 German short film Yvonne am See (Yvonne at the Lake) provides a poignant look at domestic tension and the subtle fractures in everyday life. Set against the serene but increasingly heavy atmosphere of a lakeside getaway, it explores the quiet complexities of human relationships.