Fabodjantan - Come Blow The Horn - 1978 - Swe -... !!top!! ❲UPDATED · 2024❳
According to the film's narrative, the horn is a legendary artifact said to influence the behavior of those who hear it, leading to a series of comedic and surreal romantic encounters among the villagers. The story uses this folklore element to explore themes of liberation and desire, contrasting the traditional rural lifestyle with the changing social mores of the 1970s. Production Details Joseph W. Sarno (as Lawrence Henning) Producer: Sture Sjöstedt Release Date: September 25, 1978 (Sweden)
The album has been cited as an influence by numerous Swedish musicians across various genres. Its experimental approach to folk music has inspired a new generation of artists to explore and reinterpret traditional Swedish sounds. Moreover, "Come Blow The Horn" has contributed to the preservation and promotion of Swedish cultural heritage, making it a significant work in the country's musical canon.
Joseph W. Sarno, dubbed the "Ingmar Bergman of 42nd Street," had a deep love for Sweden, visiting every summer. Fäbodjäntan was originally intended as a meta-commentary on Bergman’s somber films but eventually took on a life of its own as a joyous, bucolic celebration of 70s sexual liberation.
The title Come Blow The Horn suggests a communal, almost ritualistic call-to-arms. In Swedish 70s music, horns (brass instruments) were central to the movement. Bands like Egba (featuring horn player Christer Bothén) and Ragnarök (on their Fjärilen i mitt hår 1976 album) used flutes, saxophones, and trumpets to evoke pagan ceremonies. Fabodjantan - Come Blow The Horn - 1978 - Swe -...
The film follows the story of Monika, a young woman in the Swedish countryside. The plot incorporates elements of local folklore, specifically focusing on a legendary horn that, when blown, affects the behavior of those around her.
Known for its amateur, "neighborly" feel, the film is a standout in 1970s Swedish cult cinema, blending rural aesthetics with a lighthearted, folkloric fantasy tone.
One of the standout tracks on the album is the title song, "Come Blow The Horn," which features a catchy, sing-along melody and lyrics that celebrate the joy of music-making. Another highlight is "Visa från Österlen," a beautiful instrumental piece that showcases the band's skillful arrangements and musicianship. According to the film's narrative, the horn is
Within Sweden, Fäbodjäntan is recognized as a notable artifact of the 1970s adult film industry. It transitioned from specialized theaters into broader cultural awareness due to its absurdist premise and its use of recognizable national symbols.
A Life in "Dirty Movies": Sarno was a legendary figure in the world of erotic cinema, often dubbed "the Ingmar Bergman of 42nd Street" for his attempts to add artistic and psychological depth to the genre. His wife and collaborator, Peggy, was also a key part of his creative process.
One of the most fascinating aspects of Fäbodjäntan is its background. The film was directed by the prolific American filmmaker Joseph W. Sarno, who was known for his work in the sexploitation genre. At the time, Sarno had fallen in love with Sweden, particularly the Dalarna region, and wanted to capture what he saw as its genuine, rustic charm. He shot the movie under the pseudonym Lawrence Henning, while Swedish producer Sture Sjöstedt brought the local production to life. Joseph W
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The film gained significant notoriety for its juxtaposition of mundane Swedish domestic life with explicit themes. By incorporating recognizable cultural symbols and everyday items into its more scandalous sequences, it created a lasting impression on the Swedish public. This contrast between the "wholesome" rural setting and the film's adult content ensured its place as a recurring reference in Swedish pop-culture trivia. 3. Production Lore in Skattungbyn
The plot kicks into gear when Monika blows the horn, which inexplicably influences the local women, leading to a series of fantastical and explicit encounters. Infamous Scenes and Legacy
