The high-resolution reissue delivers the absolute definitive digital listening experience of one of contemporary jazz's most lyrical and enduring masterpieces. Originally recorded in 1977 and released in 1978 on the legendary ECM Records label, My Song captures Jarrett’s renowned European Quartet at the very peak of their creative powers. By rendering this landmark album in a massive studio-master format—24-bit depth at a 192 kHz sampling rate—audiophiles and jazz enthusiasts can experience the stunning acoustic realism, wide dynamic range, and intimate venue ambiance originally captured at Talent Studios in Oslo. The Legacy of the "European Quartet"

For fans of high-fidelity audio, the 24-192 version of My Song is significant for the following reasons:

While My Song has seen numerous reissues over the decades, the 2015 release is a landmark event for digital audio. Remastered from the original analog tapes, this version was made available in FLAC (Free Lossless Audio Codec) at a resolution of 24-bit/192kHz. This high-definition format captures an immense amount of sonic information. For context, a standard CD is 16-bit/44.1kHz. The 24-bit depth offers a vastly wider dynamic range, preserving the quietest whispers of a piano pedal and the resonant bloom of a saxophone chord without background noise.

The title track is a masterclass in deceptive simplicity, functioning as a comforting, singable lullaby. High-resolution playback untangles the mid-range frequencies where the piano sustains and the saxophone overtones typically compete. Instead, they sit in a perfectly carved 3D stereo field.

The high-res remaster brings out the nuance in Jarrett’s phrasing and Garbarek’s lyrical, almost spiritual soloing, highlighting the technical brilliance of the 2015 sound transfer.

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Before discussing the digital file, one must understand the source. My Song was recorded at Talent Studio in Oslo on October 17, 1977. Legendary ECM founder Manfred Eicher produced the session, with engineer Jan Erik Kongshaug at the boards. The studio was unique: a converted film soundstage with a wooden floor and high, vaulted ceilings. Eicher and Kongshaug famously eschewed separation booths; the quartet played live in a single room, relying on leakage and natural reverb.

Some critics consider this the most rewarding collaboration between Jarrett and Garbarek, bridging the gap between his solo piano improvisations and standard jazz quartet formats. technical comparisons

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One reviewer noted that while the high-res version is “rather expensive, you could never guess listening to it that this recording is nearly 40 years old,” crediting engineer Jan Erik Kongshaug as a “true recording magician”. The 2015 remaster effectively strips away any veil between the listener and the original performance, presenting the warmth and depth of the analog source in a pristine digital package.

This paper covers the 2015/2016 high-resolution reissue of Keith Jarrett’s

The 24-bit/192 kHz FLAC release preserves the "tubey magical midrange" of the original analog recordings produced at Talent Studio in Oslo Audio Fidelity: