Berklee utilizes Movable Do Solfège. This means that "Do" is always the tonic of the key, allowing you to recognize intervals relative to the root rather than absolute pitches.
The required textbook for ET‑112 is the , written by a team of Berklee ear training faculty: Scott deOgburn, Tony Germain, Mitch Haupers, Steve Prosser, Roberta Radley, and Dave Vose. The workbook is the backbone of the course; every weekly assignment, dictation quiz, and sight‑singing exercise comes from it.
: Training to identify triads , seventh chords , and their inversions by ear, as well as diatonic chord progressions.
: Performing melodies accurately at sight using solfège and conducting. ear training 2 berklee pdf top
If you are a music student, specifically a guitarist or a bassist, the phrase "Berklee Ear Training" likely holds a mythical status. It is known as the gauntlet that separates the casual strummer from the professional musician.
A: Yes! Berklee Online offers ET‑112 Ear Training 2 as a for‑credit online course. The online version uses the same curriculum and workbook as the on‑campus course, and you receive a Berklee transcript upon completion.
Sing the phrase again, but replace "la" with the correct solfège syllables ( Do, Re, Mi... ). Berklee utilizes Movable Do Solfège
(Note: I can’t link files directly here; I can generate structured PDFs or study sheets for you.)
Execute the phrase perfectly on your instrument on the first try, purely from your mental map. Practice Harmonic Dictation Bottom-Up
Common chord progressions in minor keys (e.g., i - iv - V7 - i or ii°7 - V7 - i). The workbook is the backbone of the course;
Use standard orchestral conducting shapes. Tapping a table doesn't track macro-beats as effectively as hand movements through space. Ghosting: When transcribing, write down the macro-beats (
Recognizing triads and their inversions within a major or minor key context.
Listen for scalar movement. If you hear a run of notes moving smoothly up or down, use your solfege tracking ( ) to connect your anchor pitches. Step 4: Isolate and Analyze Leaps (Pass 4) In Ear Training 2, leaps usually target chord tones (