A Jaguar's Dream is out now via 300 Entertainment / Warner UK. If you'd like, I can: Find "305" on various platforms
The foundation of “305” lies in its beat—a sparse, trap-influenced slow jam. The producer employs a muffled 808 kick, a barely-there hi-hat pattern, and a haunting, pitch-shifted vocal sample that serves as the track’s melodic anchor. This is not a club banger; it is a 3 AM drive along the MacArthur Causeway.
For Belfast-native , "305" began as a goal before it was ever a song. Having never visited Miami, he wrote the track to manifest a trip to the city—known by its iconic area code, 305. The lyrics explore the fantasy of falling for someone who lives a completely different, fast-paced life in a foreign city. The Storyline: Two Sides of a Night
The collaboration with Bryson Tiller—a multi-platinum artist—solidifies Adetunji’s position in the global music scene, following his Grammy-nominated, viral success. Jordan Adetunji's Ascent Jordan Adetunji ft. Bryson Tiller - 305
Jordan Adetunji has officially cemented his spot as one of the most exciting rising artists in the UK rap and alternative scene with his collaboration with on the track "305" . This collaboration bridges the gap between London's rising talent and American R&B/trap royalty, creating a smooth, high-energy track that has captured the attention of listeners globally.
The synergy between a UK-based artist and a Louisville, Kentucky native proves just how borderless modern R&B has become. Fans and critics alike praised "305" for its replay value and the natural chemistry between the two vocalists.
Recommend by Jordan Adetunji or Bryson Tiller. A Jaguar's Dream is out now via 300
"305" is a fusion of Jordan Adetunji's signature Afrobeats sound and Bryson Tiller's soulful R&B style. The song is expected to be a high-energy track with catchy hooks and melodies. Jordan Adetunji, a rising star in the Afrobeats scene, teams up with Bryson Tiller, a renowned R&B artist, to create a unique and captivating sound.
Sets the scene in Miami's "305," focusing on the duality of instant attraction ("I just met your ass on the Westside") and the desire for deeper connection ("I just wanna see in your mind"). The reference to "Too live crew" evokes Miami’s musical culture.
Produced with a haunting synth pad, crisp 808s, and a slow, head-nodding bounce, feels like a late-night drive down the Florida highway (the song’s title is a nod to Miami’s area code). The production strikes a balance between Jordan’s UK-influenced cadence and Bryson’s signature atmospheric R&B. This is not a club banger; it is
The visuals mirror the song's thrilling and sensual energy, with the dynamic duo traversing a realm where sleek vignettes are intertwined with the allure of beautiful women, creating a hyper-visual tapestry that feels like a brooding video game come to life. The decision to shoot the video in Miami added a layer of authenticity, which Adetunji called "a full circle moment," perfectly uniting the song's subject matter with its visual representation.
: Adetunji delivers rapid, rhythmic verses that transition smoothly into Bryson Tiller’s signature velvety, slow-burning melodies. How the Collaboration Happened
To accompany the release of the mixtape, a visualizer for "305" was released alongside the project, further amplifying its popularity.
The official music video for "305" was shot on location in Miami, fulfilling Adetunji’s artistic vision. The visual, featuring warm, atmospheric city scenes, aligns with the dreamy aesthetic of his mixtape, A Jaguar's Dream , positioning "305" as a key, thematic chapter within that larger, cinematic project.